“From Edouard Manet\u2019s portrait of naturalist writer Emile Zola sitting among his Japanese art finds to Van Gogh\u2019s meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe but often remains misunderstood as an \u201cexotic\u201d artifact that helped inspire Western creativity. The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art including, as Karl Marx put it, that \u201call that is solid melts into air\u201d were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century. This volume lifts the veil on a much-loved but little-understood art form by presenting the most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or \u201cpictures of the floating world,\u201d to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up a record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan. We discover the four pillars of the woodblock print beauties, actors, landscapes, and bird-and-flower compositions alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans rock stars who populated the \u201cfloating world\u201d and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, and otherworldly creatures torment the living stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incred<\/p>\n","protected":false},"excerpt":{"rendered":"
“From Edouard Manet\u2019s portrait of naturalist writer Emile Zola sitting among his Japanese art finds to Van Gogh\u2019s meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with […]\n","protected":false},"featured_media":64033,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[712],"product_tag":[],"class_list":{"0":"post-64034","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-xenoglossa-vivlia","7":"pa_brand-taschen","8":"pa_syngrafeas-andreas-marks","10":"first","11":"pre_order","12":"taxable","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"yoast_head":"\n